Occult Inspired Mudlark Folk Art

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Now available to buy  in my online shop, an occult folk art inspired box frame display made from repurposed finds from the mysterious tidal Thames.

Tiny metal objects, my favourite foreshore bits and pieces, include copper, brass, iron, lead, tin and alloys, and feature treasured objects such as hand made Tudor pins and hand forged nails, which can date from 15th to late 19th century.

Other small metal objects used are watch parts, fasteners, clasps, curled metals, sea tumbled items, rivets, nail heads. I arrange the objects in the same way I design sigils, with an intention in mind, to bring luck, and ward off evil.

All of the metal items used in this piece of art was found on the foreshore close to Southwark Bridge. The glass fronted box frame is brand new.

Have a look through the other items I have rescued and repurposed as art pieces. Some of them functional and personalised, like my contemporary take on witch bottles, others wearable pieces. Click here to view Old Father Thames Shoppe.

Ceramic Stories in Blue and Red

old-britain-castles

❄️Mudlark’s Advent, Day 9 ❄️
Ceramic sherds, especially the more recent kind, aren’t a big love of mine, as you may have guessed from their absence on this page. However, anything traceable with a story, or something that leads to a story, has more of a chance. So, here are some of my favourite potsherd vignettes for you.

The pink sherd is decorated with Old Britain Castles, the makers are Johnson Bros. This historical and traditional pattern was intricately rendered by Miss Fennel, back in 1928. She, the daughter of a master engraver, created these original drawings from old book photographs and steel engravings. Old Britain Castles is certainly one of the best known patterns from Johnson Brothers and has been in production since 1930. Each piece of china depicts a scene of a different castle, and has extended to 45 castles. Some of the most famous castles included in the OBC pattern are Cambridge, Dunstable, Exeter, Haddon Hall, Kent, Stratford, and Warwick.

The blues I am not so sure about, and am still investigating. I the bowl base in the bottom photos is think it is a copy of Dimmock’s Morea Pattern, c1840. It’s certainly the same image as one of Dimmock’s scenes, but in the absence of the ‘D’ incorporated into the makers mark, on the back, I can only assume it’s Dimmock Morea.

17th Century Combed Slipware

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❄️Mudlark’s Advent, day 8❄️
Oh, hello, what’s this? A deliciously crumbly, fruity chocolate tiffin, topped with Bakewell icing? No. It’s a lovely, fat chunk of Staffordshire combed slipware, dating from somewhere between 1690-1830.

Combed slipware, an earthenware ceramic decorated in slip, fired, usually, with clear glaze to the patterned side, was popular between 1690 and 1830. While production began in Staffordshire, combed slipware ceramics were also produced in potteries across the Midlands, Yorkshire and Bristol.

Combed slipware has an uncanny likeness to delicious party biscuits and Bakewell tarts, achieved by ‘combing’ through applied coloured slip (wet clay), often finished off at the edges with a ‘crimped’ or ‘coggled’ pie crust effect.

I think this fragment was possibly part of a round edged, rectangular meat plate, as it is so chunky and heavy. Intact loaf or baking dishes, cups and pots are on display at the Victoria & Albert museum, Museum of London and the Ashmolean Museum in Oxford.

Jacks, Snobs, Knucklebones, Chuckstones…

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❄️Mudlark’s Advent, Day 7❄️
Jacks, Snobs, Knucklebones, Chuckstones… what do you know it as?

Dating back to before the Greeks, the game of Chucks (I’m going with this name, as China clay dice, like this one I found on the foreshore, were used) has been as big a mainstay in the playground as hopscotch or catch.

It is “a traditional children’s game, played the world over, for which there is no formal organising body. Consequently, rules vary from country to country and place to place.
The game is also known by a variety of names including Jackstones, Chuckstones, Dibs, Dabs, Fivestones, Otadama, Tally and Knucklebones. All that is needed to play the game of Chucks is five small clay squares.”

” The simplest throw consists in tossing up one stone, the jack, and picking up one or more from the table while it is in the air. This continues until all five stones have been picked up. Another throw consists in tossing up first one stone, then two, then three and so on, and catching them on the back of the hand.”

Alternatives to the squares can be pretty much anything of a similar size – originally sheep knucklebones were used.”
Actually the ‘knucklebones’ used were astragalus, bones in a sheep ankle, or hock.

I knew the game as Jacks, but instead of clay dice, metal or plastic spikes connected to a central base were used. My grandmother kept a set in her old bureau. I never really got the hang of the game, but spent hours pinging them along her old chintz carpet, only to spend further hours trying to retrieve them from under the settee.

The game was relatively simple on the surface of it, chucking the squares up and catching them on the back of your hand, but variations of hand positions with names such as ‘riding the elephant’ and ‘sending the people to church’ made things a bit more tasty.

Other permutations including the use of a bouncy ball and clapping ones hands between catches. Not so simple after all!

Victorian Clay Pipe

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❄️Mudlarks Advent, Day 6❄️
Incomplete Victorian clay pipe, bust of Queen Victoria on one side, crown on the other. No other marks but I suspect it was made to commemorate the Diamond Jubilee in 1897.
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According to a Chris Jarrett of the Society for Clay Pipe Research, “a possible pipe maker for this bowl is John Hill, listed in Plumstead, c. 1900-1902. He may have taken over Henry Dudman’s workshop, as early as 1894, when Dudman ceased to be listed in London Directories.”
There is similar information in the SCPR newsletter 65, 31-32.
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Chris also provided photographic comparison with a recorded example of a pipe found in a fireplace in a house in a Brockley, SE4.
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The recorded dates stamped on to the similar from pipe stem are 1837 and 1897.
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Sources: Society for Clay Pipe Research, River Thames Finds forum (@river_thames_mudlarking_finds on IG).