Lead Love


There are many items in the ‘mudlarking starter kit’ (for example, pins, hand forged nails, garnets), most of which I’ve now disciplined myself not to take home. However, there are a few objects that are just so lovely, I can hardly bear to leave them to fate.

Lead tube screw top lids rank in the top echelons of said items, although I do apply some fairly stringent ‘keeper’ rules, for example, how clear and/or interesting the embossed branding is.

Here is a selection of my favourite screw top lids, including Roger Gallet, Crest and my all-time favourite, a chunky number from J.B. Williams Company.

99% of the screw tops I find belong to toiletry packaging – usually toothpaste (or ‘dentifrice’), shaving creme and foam – and are mostly made of either lead, or lead-zinc alloy. From time to time I’ve also found tin and other metal screw tops.

It’s said that toothpaste was first placed in lead collapsible tubes in the 1850’s, although I have seen a contrary source which claims that Connecticut dentist,  Dr. Washington Sheffield, was the first to have introduced collapsible metal toothpaste tubes, much later, in 1892.

This practice, though known to be potentially poisonous, continued though the 1950’s. It also turned out the lead consumed the flouride in the paste, so by the time you got the toothpaste all the flourides were gone.

During WWII, used toothpaste containers were collected so the lead could be smelted to make bullets.

Toothpaste fact: its first use is recorded to have been as long ago as 500 B.C. in China and India!

The maker of my favourite screw top lid, the J.B. Williams Company Inc, was founded in 1849 by James Baker Williams – born 1818, strangely, also in Connecticut. I wonder if he was familiar with Dr. Washington Sheffield?

Williams began experimenting with various soaps to determine which were best for shaving, and eventually developed Williams’ Genuine Yankee Soap, the first manufactured soap for use in shaving mugs.

William’s shaving soaps were sold throughout the United States and Canada, and as a result of rising demand, the facilities were expanded several times in the late 1800s.

By the early 1900s, the company was known throughout the world. In addition to its line of shaving creams, the firm produced talcum powder, toilet soaps, and other toilet preparations.

The company continued to grow, hugely, until in 1977, it finally closed. The original 1847 factory is still standing, and, in 1979, was converted into a condominium complex. In 1983 the building was placed on the National Register of Historic Places. What a treat to know, this is the original location of my favourite ever screw top lid!

Source: Big Fork Dentist, Intelligent Dental, Bloomberg.com

Night Larking

Spoils of a pleasant night lark.

In no particular order – giant fish hooks, musket ball, lead shot, codd bottle stopper, modern key, loose change a half-cut Franc (modern, but a good story), fouled anchor and rampant lion naval livery button by Jennens & Co (again, good story, more to come later), a little lead pellet with an ‘S’ initial (a mystery, perhaps print related), a pleasing echinoid and giant hook that I like to imagine is a stevedores hook although it probably isn’t.

As ever, I’ll go into more detail with individual items in another post.

 

Anti Button? Avert Thine Eyes!

image6There are many items that my long-suffering, non-larking partner finds it hard to get his head around. Some I can understand; my rookie mudlark days saw me bringing home half the foreshore, including any piece of bashed up glass shard, so long as it had an imprint on it.

Buttons however, especially livery, military and utility buttons, even he can appreciate the thirst for those.       “I suppose this connects you directly to the past, fusing you to someone you’ll never know, or meet, but you’re directly linked”, he said.

That’s exactly what the appeal is.

Not every button is easily identifiable, some military and utility buttons were simply impressed with a generic ‘Double Edge Ring’, ‘Suspender’, ‘Best Ring Edge’, or similar, however, since the latter half of the eighteenth century, makers began to brand their buttons with ‘back marks’.

Of course, once the buttons are up and out of the anaerobic mud of the Thames, the very stuff that preserves them, they are tossed around by time and tide, and can lose their visible marks. Despite this, with a little perseverance, and a lot of primary and secondary research, you can usually get your maker.

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Internet Good/Internet Bad, no matter. What the online world offers is means to immediate secondary research. In addition to net scouring, I read actual text from actual books with paper in, plus speak to local people in the area where I made the find. Pieces soon start to fall into place.

The button pictured left was found near Greenwich, and, with a little help from a keen local, we’ve attributed it to a staff member at the Royal Hospital.

Other interesting traceable buttons I’ve found, led me back to Bishopp & Harrington of 69 Eastcheap (shown in the photo at the top of this post), and Parfitt, Roberts & Parfitt, sword makers and military tailors of Jermyn St, more information about them, including them potentially harbouring a criminal, here.

My favourite button by far, and, so far, is from the clothier Edward Grove of Lambeth – it’s my favourite not because of the object itself, but the research it led me to. The branding was not easily legible, but I filled in the blanks and tapped in the information online. Not expecting to find too much, I was happily surprised when a wealth of information sprang forth, including beautiful printed posters stored at The British Library and Lambeth Council. Curiously, there is also a record from The Old Bailey about a court case concerning one of their employees. What is it with tailors and crime?

e-grove-1In 1884, “E. Grove merchant taylor, juvenile clothier, and complete outfitter” was advertising their newly rebuilt premises as “The Lambeth Establishment”, housed at numbers 37 to 41, Lower Marsh, near Waterloo station. Edward Grove catered “An entire new stock of all kinds of clothing for all classes. All prices reduced. Cheaper & better than ever.”

In April 1862, one Richard Paynter was up before the beak at the Old Bailey, accused of stealing a coat from his master, Edward Grove.  Read the full story here. Someone really had it in for Paynter, as he was immediately up again for the same charge, different master, different garment. That story here.

By 1895 E Grove had branched out to mechanics, painters, butchers and sailors clothing, with additional premises at 272 and 274 Edgware Road.

I hope I’ve gone some way to honouring the simple button in so much as piquing your interest, at least. If you find yourself out on the foreshore and pick up one of these beauties, I implore you to delve back into history and see what you can find.

Click through the gallery below for a selection of related images, including the original Old Bailey court proceedings. 

 

Occult Inspired Mudlark Folk Art

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Now available to buy  in my online shop, an occult folk art inspired box frame display made from repurposed finds from the mysterious tidal Thames.

Tiny metal objects, my favourite foreshore bits and pieces, include copper, brass, iron, lead, tin and alloys, and feature treasured objects such as hand made Tudor pins and hand forged nails, which can date from 15th to late 19th century.

Other small metal objects used are watch parts, fasteners, clasps, curled metals, sea tumbled items, rivets, nail heads. I arrange the objects in the same way I design sigils, with an intention in mind, to bring luck, and ward off evil.

All of the metal items used in this piece of art was found on the foreshore close to Southwark Bridge. The glass fronted box frame is brand new.

Have a look through the other items I have rescued and repurposed as art pieces. Some of them functional and personalised, like my contemporary take on witch bottles, others wearable pieces. Click here to view Old Father Thames Shoppe.

17th Century Combed Slipware

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❄️Mudlark’s Advent, day 8❄️
Oh, hello, what’s this? A deliciously crumbly, fruity chocolate tiffin, topped with Bakewell icing? No. It’s a lovely, fat chunk of Staffordshire combed slipware, dating from somewhere between 1690-1830.

Combed slipware, an earthenware ceramic decorated in slip, fired, usually, with clear glaze to the patterned side, was popular between 1690 and 1830. While production began in Staffordshire, combed slipware ceramics were also produced in potteries across the Midlands, Yorkshire and Bristol.

Combed slipware has an uncanny likeness to delicious party biscuits and Bakewell tarts, achieved by ‘combing’ through applied coloured slip (wet clay), often finished off at the edges with a ‘crimped’ or ‘coggled’ pie crust effect.

I think this fragment was possibly part of a round edged, rectangular meat plate, as it is so chunky and heavy. Intact loaf or baking dishes, cups and pots are on display at the Victoria & Albert museum, Museum of London and the Ashmolean Museum in Oxford.

Jacks, Snobs, Knucklebones, Chuckstones…

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❄️Mudlark’s Advent, Day 7❄️
Jacks, Snobs, Knucklebones, Chuckstones… what do you know it as?

Dating back to before the Greeks, the game of Chucks (I’m going with this name, as China clay dice, like this one I found on the foreshore, were used) has been as big a mainstay in the playground as hopscotch or catch.

It is “a traditional children’s game, played the world over, for which there is no formal organising body. Consequently, rules vary from country to country and place to place.
The game is also known by a variety of names including Jackstones, Chuckstones, Dibs, Dabs, Fivestones, Otadama, Tally and Knucklebones. All that is needed to play the game of Chucks is five small clay squares.”

” The simplest throw consists in tossing up one stone, the jack, and picking up one or more from the table while it is in the air. This continues until all five stones have been picked up. Another throw consists in tossing up first one stone, then two, then three and so on, and catching them on the back of the hand.”

Alternatives to the squares can be pretty much anything of a similar size – originally sheep knucklebones were used.”
Actually the ‘knucklebones’ used were astragalus, bones in a sheep ankle, or hock.

I knew the game as Jacks, but instead of clay dice, metal or plastic spikes connected to a central base were used. My grandmother kept a set in her old bureau. I never really got the hang of the game, but spent hours pinging them along her old chintz carpet, only to spend further hours trying to retrieve them from under the settee.

The game was relatively simple on the surface of it, chucking the squares up and catching them on the back of your hand, but variations of hand positions with names such as ‘riding the elephant’ and ‘sending the people to church’ made things a bit more tasty.

Other permutations including the use of a bouncy ball and clapping ones hands between catches. Not so simple after all!

Victorian Clay Pipe

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❄️Mudlarks Advent, Day 6❄️
Incomplete Victorian clay pipe, bust of Queen Victoria on one side, crown on the other. No other marks but I suspect it was made to commemorate the Diamond Jubilee in 1897.
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According to a Chris Jarrett of the Society for Clay Pipe Research, “a possible pipe maker for this bowl is John Hill, listed in Plumstead, c. 1900-1902. He may have taken over Henry Dudman’s workshop, as early as 1894, when Dudman ceased to be listed in London Directories.”
There is similar information in the SCPR newsletter 65, 31-32.
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Chris also provided photographic comparison with a recorded example of a pipe found in a fireplace in a house in a Brockley, SE4.
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The recorded dates stamped on to the similar from pipe stem are 1837 and 1897.
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Sources: Society for Clay Pipe Research, River Thames Finds forum (@river_thames_mudlarking_finds on IG).

Parfitt, Roberts & Parfitt

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❄️ Mudlark’s Advent, Day 5❄️

Fly button by Parfitt, Roberts & Parfitt, sword makers and military tailors of Jermyn St. London.

“Parfitt, Roberts & Parfitt are mentioned in the 1874 publication, A London Directory for American Travelers, listed as tailors operating at 75 Jermyn Street. They appear again in Peterson’s guide book to England and Wales, with maps and plans, 1888 at the same address. In the London Gazette, Issue 27300, published 29 March 1901, they published a bankruptcy petition against one J.J. Vickers.”

Parfitt, Roberts & Parfitt continued to trade until 1905, they are listed in London and its Environs, Handbook for Travellers by Karl Baedeker.
Whilst researching, I found a snippet of this intriguing article from the Morning Chronicle London, dated 27 Jan 1862:

POLICE INTELLIGENCE — SATURDAY:
“A man named James O.TBryaoo (O’Bryan, perhaps?) was charged before Mr. sen Tyrwhitt (Sen? Interesting that Charles Tyrwhitt now sells shirts on Jermyn Street) with being found concealed on the premises of Messrs. Parfitt, Roberts, and Parfitt, military tailors, with the intent to commit a felony. sid *e A porter (Sidney A Porter? Or just A porter?) in the house, named Newton, found, while…”

The article text ends there. Sir Isaac Newton did indeed live on Jermyn Street, I’ve not found anything out about Newton House yet, perhaps it was a local name for his old dwelling? Or is just a porter named Newton, in the house?

I absolutely adore finding buttons, especially when there are clues attached, that make it a lot easier to trace the history and stories attached to the object.

Research sources: swordforum.com, and others listed, above.

British Made and Anthrax Free

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❄️ Mudlark’s Advent, Day 4❄️

Hog bristle shaving brush, ‘British Made. Sterilised. Free From Anthrax.’

A small yet mighty shaving brush just like this one was once in the firing line for the death of a man:
“At Hull, on September 9, when the inquiry into the cause of the death of Joseph Taylor was resumed, a verdict of ” Death from anthrax ” was returned. Deceased purchased a shaving brush, to which was attached a label stating ” British made. Free from anthrax,” while on holiday at Scarborough.

Medical evidence states death was due to anthrax, but the city analyst said he had been unable to trace any anthrax bacilli in the brush. The jury expressed no opinion as to the source of infection.”

Source: THE CHEMIST & DRUGGIST, SEPTEMBER 20, 1924.