Now available to buy in my online shop, an occult folk art inspired box frame display made from repurposed finds from the mysterious tidal Thames.
Tiny metal objects, my favourite foreshore bits and pieces, include copper, brass, iron, lead, tin and alloys, and feature treasured objects such as hand made Tudor pins and hand forged nails, which can date from 15th to late 19th century.
Other small metal objects used are watch parts, fasteners, clasps, curled metals, sea tumbled items, rivets, nail heads. I arrange the objects in the same way I design sigils, with an intention in mind, to bring luck, and ward off evil.
All of the metal items used in this piece of art was found on the foreshore close to Southwark Bridge. The glass fronted box frame is brand new.
Have a look through the other items I have rescued and repurposed as art pieces. Some of them functional and personalised, like my contemporary take on witch bottles, others wearable pieces. Click here to view Old Father Thames Shoppe.
❄️Mudlark’s Advent, day 8❄️
Oh, hello, what’s this? A deliciously crumbly, fruity chocolate tiffin, topped with Bakewell icing? No. It’s a lovely, fat chunk of Staffordshire combed slipware, dating from somewhere between 1690-1830.
Combed slipware, an earthenware ceramic decorated in slip, fired, usually, with clear glaze to the patterned side, was popular between 1690 and 1830. While production began in Staffordshire, combed slipware ceramics were also produced in potteries across the Midlands, Yorkshire and Bristol.
Combed slipware has an uncanny likeness to delicious party biscuits and Bakewell tarts, achieved by ‘combing’ through applied coloured slip (wet clay), often finished off at the edges with a ‘crimped’ or ‘coggled’ pie crust effect.
I think this fragment was possibly part of a round edged, rectangular meat plate, as it is so chunky and heavy. Intact loaf or baking dishes, cups and pots are on display at the Victoria & Albert museum, Museum of London and the Ashmolean Museum in Oxford.
❄️Mudlarks Advent, Day 6❄️
Incomplete Victorian clay pipe, bust of Queen Victoria on one side, crown on the other. No other marks but I suspect it was made to commemorate the Diamond Jubilee in 1897.
According to a Chris Jarrett of the Society for Clay Pipe Research, “a possible pipe maker for this bowl is John Hill, listed in Plumstead, c. 1900-1902. He may have taken over Henry Dudman’s workshop, as early as 1894, when Dudman ceased to be listed in London Directories.”
There is similar information in the SCPR newsletter 65, 31-32.
Chris also provided photographic comparison with a recorded example of a pipe found in a fireplace in a house in a Brockley, SE4.
The recorded dates stamped on to the similar from pipe stem are 1837 and 1897.
Sources: Society for Clay Pipe Research, River Thames Finds forum (@river_thames_mudlarking_finds on IG).
Out of town today but still managed to find some pins, lead cutlery and a Bellarmine jug. The pins seen here are some of the last few made at the Oracle, once a seventeenth century workhouse founded by John Kendrick, at Minster Street, Reading. The Oracle building was later used as a barracks, then as a factory for rope, silk and pin making. The last pins were made in 1850, just before the building fell into ruin and was demolished. #readingmuseum #pins #theoracle #johnkendrick #workhouse #bellarmine #bartmann #wildmann #cardinalbellarmine #lead #rubberstamp (at Reading Museum)